Podcast Sample Rates: At-a-Glance
- TLDR – Just choose 44100Hz. Set it and forget it!
- Sample rates in audio determine audio quality and file size
- They are similar to pixels in a photograph
- Read on to find out more…
You’ve probably come across the number 44100 in podcasting and audio production circles. This number is a sample rate. Sample rates are measured in ‘hertz’ or ‘Hz’, which means cycles per second.
Audio is displayed visually in your podcast production software as a waveform. If you zoom right in on a waveform, each “sample” in your audio is displayed as a dot.
The higher the sample rate number, the more times the audio has been sampled. This determines audio quality and also file size.
If you think of your audio file as a photograph, the sample rate is essentially just like the amount of pixels that make up an image.
Take a look at each screenshot, which shows the amount of time the audio was sampled within 0.00050th of a second. 8000Hz was only sampled 5 times in that time period. 44100Hz was 23 times. 48000Hz was 25 times, whilst 96000Hz was way up at 50 times.
Choosing a Podcast Sample Rate
You’ll have the option to select a Sample Rate prior to hitting record in your DAW (editing software) or digital recorder.
For example, in Audacity, if you look down in the bottom left hand corner you’ll see the heading Project Rate (Hz) and a drop-down menu underneath it. By default, the number will be set at 44100, and I’d recommend just keeping it set at that too.
The sample rate of 44100Hz is standard for music and CDs and is the ideal rate to record all your podcast audio at.
Sound designers in game, film, and television will mainly work in 48000Hz, though some work as high as 96000Hz.
In Audacity, the lowest sample rate you can record at is 8000Hz (way too low), and the highest is 384000Hz (way too high).
What About Bit Depth?
Each audio sample – those little dots in your waveform – has a ‘bit depth’, which determines the quality of the sound.
You will usually be asked to select a bit depth prior to recording a piece of audio. The most common bit depths are 16, 24, and 32.
The higher the number, the higher the quality, and the more the recording is able to accurately capture a noise with substantial difference in volume from its quietest parts to its loudest parts.
For this reason bit depth is much more important for musicians than it is to podcasters.
With spoken word podcast content there is no need to record any higher than 16 bit. Using 24 or 32 will only increase the size of your source material WAV files, and any improvement in quality will be inaudible to all but the most trained ears.
Deeper Dive: How to Convert a WAV to an MP3
What About Bit Rates?
Another load of numbers you might come across are bit rates, you’ll see these as 96kbps, 128kbps etc.
These aren’t directly relevant to sample rates and bit depth, so don’t worry. A bit rate is something you’ll be asked to select when you mix your audio down to MP3 form. If you’d like to learn more about this, check out What Bitrate Should I Use For a Podcast?
Thanks, But All These Numbers Hurt My Head…
Maybe you a complete “non-techy” person who really doesn’t want to have anything to do with this stuff?
If that’s the case, you might want to check out our “podcast making” tool Alitu, which practically builds your episode for you.
Alitu is really simple to use, and will take care of the processing, editing, and publishing of your podcast, without the need for any actual editing software.
So whether you’re a complete beginner, or an experienced podcaster looking to drastically cut down on your production time, Alitu could be the answer you’re looking for!
What Our Readers Think About What Does 44100Hz Mean? | Podcast Sample Rates
I use 24 bit for recording, if the levels are off, some low volume recordings may still be salvagable. I also use 48khz for maximum compatibility, video people use this sample rate not for any additional sound quality, but because it’s divisible by 24, 25, 30, 50 and 60, the approximate number of frames per second in video, so video editing software has an easier job (the number of samples per frame won’t be same fraction). I use audacity to do the first pass of editing (the noise reduction is excellent) and it will edit in 32bit to make sure multiple passes of amplification, fading and the like won’t degrade the quality too much.